Meaning of Remote Control by The Clash

In The Clash's iconic song "Remote Control," the band addresses themes of societal control, rebellion, and the oppressive nature of big business and government. Through their powerful lyrics and energetic sound, they express their dissatisfaction with the confines of a system that restricts individual freedom and creativity. While the overarching theme of the song is resistance against control, there are several standout lyrics that help develop different aspects of this theme and evoke unexpected and imaginative ideas.The song begins with the lyrics, "Who needs remote control, from the Civic Hall? Push a button, activate, you gotta work, you're late." These lines introduce the idea of control and the concept of being at the mercy of external forces. It reflects the belief that individuals are mere pawns in a system driven by the demands of society, represented here by the Civic Hall. The lyrics suggest a loss of autonomy, as people must adhere to strict schedules and follow predetermined paths set by others.As the song progresses, there is a sense of frustration expressed in the lines, "It's so grey in London town, Panda car crawlin' around. Here it comes, eleven o'clock, where can we go now?" Here, The Clash metaphorically portrays London as a bleak and oppressive place, with the presence of the Panda car representing the constant surveillance and control exerted by law enforcement. These lyrics allude to the limitations placed on individuals' personal freedom and mobility, highlighting the need for rebellion against such constraints.A particularly powerful lyric comes in the chorus: "Can't make no noise, can't get no gear, can't make no money, can't get outta here." This line exhibits the multifaceted nature of control. It suggests that not only are individuals restricted from expressing themselves freely and pursuing their passions, but they are also bound by financial limitations. The inability to make money or escape their circumstances reinforces the theme of confinement and the struggle to break free from these imposed barriers.The verse "Big business, it don't like you, don't like the things you do. They got no money, they got no power, they think you're useless, and so you are, punk" delves into the oppressive nature of big corporations. It presents the idea that these entities, driven solely by profit, have the ability to stifle individuality, devalue creative expression, and make people feel insignificant. The term "punk" here signifies a rebellious spirit, emphasizing the desire to challenge and defy the status quo.One pivotal verse that stands out is "They had a meeting in Mayfair, they got you down and they wanna keep you there. It makes them worried, their bank accounts, that's all that matters, you don't count." These lyrics shed light on how those in power manipulate and exploit individuals for their own gain. The mention of Mayfair, an affluent area in London, symbolizes the control exerted by the elites. The emphasis on bank accounts further illustrates the prioritization of wealth accumulation over the well-being and autonomy of the masses. The line "you don't count" serves as a harsh reminder of how those in power see the general population as disposable pawns.The chorus brings in additional themes with the lines, "Can't make no progress, can't get ahead, can't stop the regress, don't wanna be dead." These lyrics emphasize the stagnation and regression caused by external control. They encapsulate the frustration of being unable to advance and grow due to the constraints imposed by societal norms and expectations. The mention of not wanting to be dead suggests that the desire to break free from control stems from the fear of a monotonous and unfulfilling existence.Towards the end of the song, The Clash introduces the intriguing lines, "Who needs the Parliament? Sittin' makin' laws all day. They're all fat and old, queuein' for the House of Lords." These lyrics challenge the authority and effectiveness of the government. They critique the bureaucracy and inefficiency often associated with parliament, emphasizing the divide between the ruling elite and everyday individuals. The image of the overweight and aging politicians waiting in line for a place in the House of Lords further emphasizes the detachment of those in power from the realities faced by ordinary people.The song's conclusion includes the repetition of the word "repression" alongside other phrases like "rules and regulations" and "I obey." This repetition emphasizes the suffocating nature of control and the systematic repression of individuality and free will. It serves as a call to action for rebellion against these institutions and demands recognition and empowerment.In conclusion, The Clash's "Remote Control" is a powerful anthem of resistance against control, be it from big business, government, or societal expectations. The standout lyrics in the song evoke various themes, including restricted autonomy, financial limitations, oppressive corporations, disdain for bureaucratic systems, and the suffocating impact of control and repression. Through their unique and imaginative exploration of these themes, The Clash implores individuals to break free from the shackles of external control and assert their independence, creativity, and personal freedom.