Ian Mckellen: 'I was brought up in industrial south Lancashire, down the cobbled road from where LS Lowry (1887 - 1976) lived and painted.'

I was brought up in industrial south Lancashire, down the cobbled road from where LS Lowry (1887 - 1976) lived and painted.

The quote by Ian McKellen, 'I was brought up in industrial south Lancashire, down the cobbled road from where LS Lowry (1887 - 1976) lived and painted,' captures the significance of his upbringing in a region known for its industrial roots and the influence of the renowned artist, LS Lowry. This straightforward interpretation reveals the connection between McKellen's childhood environment and the artistic legacy of Lowry. However, let us now delve into a deeper analysis, introducing an unexpected philosophical concept that will add intrigue and complexity to the discussion.In reflecting on McKellen's statement, one cannot help but ponder the interplay between contrasting worlds – the industrial backdrop of south Lancashire and the artistic realm that Lowry so vividly depicted. It is in this juxtaposition that we uncover the timeless philosophical concept of dualism. Dualism is a philosophical approach that suggests the existence of two separate and distinct realms - typically opposing in nature, yet intrinsically connected. In this case, the industrial heritage represented by McKellen's upbringing emerges as one realm, while the artistic influence of LS Lowry takes its place as the other.Born in an era defined by industrialization, south Lancashire carries the weight of its history as a thriving industrial hub. Ironworks, cotton mills, and the clang of machinery shaped the landscape and culture of the region. McKellen, growing up amidst this ambiance, would have been exposed to the grit and determination of the working-class community, defined by the ceaseless toil of its inhabitants. This aspect of his upbringing fostered resilience and a sense of community.In stark contrast, we encounter the ethereal world of LS Lowry's paintings. Lowry, though a resident of the same area, captured the beauty in the seemingly mundane, elevating his industrial surroundings to art. His canvases are populated by matchstick figures, factories belching smoke, and rows of terraced houses – all infused with a subtle melancholic charm that resonates deeply with viewers. Lowry's art celebrates the human spirit amidst the urban landscape, offering a glimpse into the hidden beauty of everyday life.Bringing these two worlds together, we find that the industrial backdrop and Lowry's artistic vision coexist symbiotically. The industrial setting, with its relentless pace and laborious nature, provides the essence and inspiration behind Lowry's works. His painting style enables us to appreciate the stark beauty in the mundane, as we witness the harmony amid chaos – a reflection of the dualistic nature inherent in the human experience.McKellen's proximity to Lowry's dwelling also underscores the profound influence that geographical surroundings can have on an individual. An artist's environment can shape their perspective and fuel their creative expression. By growing up in close proximity to the home and art of LS Lowry, McKellen was granted a unique vantage point into Lowry's creative process, delving deeper into understanding the nuances of artistic expression.Ultimately, McKellen's quote invites us to transcend the surface-level connection between his upbringing and Lowry's art. It prompts us to explore the philosophical concept of dualism, provoking contemplation on how seemingly disparate elements can intertwine to create something beautiful and profound. The industrial landscape of south Lancashire and the artistic legacy of LS Lowry merge in a fascinating dance, illustrating the interconnectedness of contrasting forces and reaffirming the power of art to elevate and transcend its immediate surroundings.