Golda Meir: 'The public history of modern art is the story of conventional people not knowing what they are dealing with.'

The public history of modern art is the story of conventional people not knowing what they are dealing with.

The quote by Golda Meir, "The public history of modern art is the story of conventional people not knowing what they are dealing with," encapsulates a poignant observation about the perpetually evolving nature of art and the public's reaction to it. Meir's words emphasize the inherent disconnect between the conventional mindset and the avant-garde, often perplexing world of modern art. In a straightforward interpretation, she suggests that when faced with unconventional artistic expressions, conventional individuals often struggle to comprehend or appreciate the underlying messages, forms, and ideas they encounter.However, to delve deeper into the quote and explore the potential philosophical concepts it unveils, we could introduce the idea of "phenomenology." Phenomenology is a philosophical approach that examines how humans perceive and experience the world, emphasizing the subjective nature of individual consciousness. Through the lens of phenomenology, Meir's words provide a thought-provoking perspective on the interplay between conventional understanding and the enigmatic realm of modern art.In the realm of art, the conventional mindset tends to rely on established norms, recognizable forms, and traditional subjects. This familiar landscape provides comfort and security, creating a sense of order and familiarity. When confronted with modern art, which often defies conventional expectations and pushes the boundaries of artistic expression, the conventional observer may find themselves at a loss. The brushstrokes, shapes, or subject matter in modern art may appear unconventional, abstract, or even paradoxical. This dissonance can leave the public feeling unsure, or as Meir suggests, not knowing what they are dealing with.Phenomenologically speaking, this disorientation results from the clash between the viewer's preconceived notions and the artist's innovative vision. The public, conditioned to expect specific representations or themes in art, may struggle to recognize or comprehend the underlying messages conveyed by modern artists. This struggle arises not because modern art is inherently incomprehensible, but rather due to the clash of expectations and the failure to transcend conventional patterns of perception.However, there exists an exhilarating opportunity within this disconnect. Modern art invites us to question, explore, and expand our understanding of the world around us. It presents us with the possibility of challenging established norms, engaging in introspection, and embracing uncertainty. By actively contemplating and engaging with modern art, we may bridge the gap between conventionality and its deviation, strengthening our capacity to perceive art beyond merely aesthetically pleasing compositions.It is crucial to recognize that the public's struggle with modern art does not diminish the significance or purpose of the artwork itself. Rather, it highlights a unique tension between the artist's intention and the observer's perception. Modern art has the power to transcend the limitations of conventional understanding, often disrupting our preconceived notions and urging us to question societal norms, individual perceptions, and the boundaries of creative expression.In conclusion, Golda Meir's quote sheds light on the challenges faced by conventional individuals in grasping the essence of modern art. However, by exploring the philosophical concept of phenomenology, we recognize that this struggle arises from the clash between preconceived notions and the innovative visions of artists. This disconnect can be a catalyst for us to confront our ingrained patterns of perception, embrace uncertainty, and undergo personal growth. When confronted with the unfamiliar, we have the opportunity to expand our understanding and embrace art as a catalyst for exploration and introspection. The public history of modern art then becomes a testament to the transformative power of breaking through conventional boundaries and charting new territories of human consciousness.