Francis Bacon: 'There is no excellent beauty that hath not some strangeness in the proportion.'

There is no excellent beauty that hath not some strangeness in the proportion.

The quote by Francis Bacon, "There is no excellent beauty that hath not some strangeness in the proportion," is a thought-provoking statement that urges us to consider the unconventional aspects of beauty. In a straightforward interpretation, this quote emphasizes that true beauty often lies in the unexpected or unusual aspects of a person, object, or idea rather than conforming to conventional norms.At first glance, this quote can be seen as encouraging a celebration of diversity and individuality. It suggests that beauty is not limited to the conventional standards set by society but is rather found in the uniqueness that each person possesses. It challenges the notion that beauty should conform to a specific mold and highlights the beauty found within the atypical proportions or characteristics of beings or things.However, delving deeper into the meaning of this quote, an unexpected philosophical concept arises, adding a layer of intrigue and complexity to our understanding. This concept revolves around the idea that strangeness is not merely an external element to be observed, but a fundamental aspect of existence itself. In this context, strangeness represents the infinite possibilities and complexities that shape our perception of beauty.Contrary to the popular belief that beauty is static and absolute, Bacon's quote suggests a dynamic and ever-changing nature of beauty. It implies that true beauty cannot be found in simple and symmetrical forms alone but requires an interplay of contrasts, contradictions, and unexpected elements. It is through this "strangeness in the proportion" that we are able to explore the infinite nuances of beauty and appreciate its multidimensional essence.Consider nature as an example. The most breathtaking landscapes often display an amalgamation of contrasting elements. From towering mountains juxtaposed against calm lakes to vibrant flowers blooming amidst rocky terrains, it is the presence of these unconventional elements that adds depth and allure to the overall aesthetic. It is the strangeness within these proportions that captivates our senses and evokes a sense of awe and wonder.Similarly, when we encounter a person whose physical appearance deviates from societal standards, their unique features possess a charm that transcends conventional beauty norms. It is the distinctiveness and the "strangeness" they embody that capture our attention and make them truly unforgettable. We are drawn to their asymmetry, their quirks, and idiosyncrasies, for it is these unconventional elements that make them exquisite.Applying this concept to the realm of art, we find that some of the most influential and revered artists throughout history have embraced the concept of strangeness in their works. From Pablo Picasso's fragmented and distorted figures to Salvador Dali's surreal and dreamlike landscapes, they challenge our perception of beauty by presenting us with unconventional proportions that defy traditional expectations. By doing so, they invite us to explore alternate perspectives, break free from societal constraints, and embrace the inherent beauty that lies in the unfamiliar.In conclusion, Francis Bacon's quote, "There is no excellent beauty that hath not some strangeness in the proportion," reminds us to embrace the unconventional aspects of beauty. It encourages us to look beyond the familiar and predictable in our quest for true aesthetic appreciation. When we open ourselves to the inherent strangeness and unexpected proportions of beauty, we embark on a journey of exploration, curiosity, and celebration of the diversity that enriches our world. By recognizing that beauty can be found in the deviations from the norm, we transcend limiting boundaries and embrace a more holistic and nuanced understanding of what it means to be truly aesthetically excellent.

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Francis Bacon: 'Knowledge is power.'

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Francis Bacon: 'Truth is the daughter of time, not of authority.'