Edith Wharton: 'Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before.'

Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before.

Edith Wharton, an American novelist and Pulitzer Prize winner, once stated, "Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before." This quote encapsulates a significant aspect of the modern art scene, highlighting the fear and hesitancy among artists to explore themes, styles, and techniques that have already been explored. Wharton's observation speaks to the notion that true maturity in art lies in embracing the rich tapestry of artistic history while simultaneously pushing the boundaries of creativity. However, to delve deeper into this topic and provide a fresh perspective, let us explore the intriguing philosophical concept of existentialism and its relevance to Wharton's quote.Existentialism, a philosophical movement that emerged in the 20th century, revolves around the idea that individuals are responsible for giving their lives meaning and purpose. It emphasizes personal freedom, authenticity, and the recognition of one's existence in an often absurd and chaotic world. Interestingly, existentialism can be seen as both an ally and a foe to Wharton's quote. On one hand, existentialism encourages artists to embrace novelty, to view their work as expressions of their unique experiences and perspectives. This aligns with Wharton's notion of breaking free from traditions and creating art that is authentic and original.However, existentialism also opens up a gateway to critical reflection. When examining the dread of doing what has been done before through an existential lens, we find a delicate balance between drawing inspiration from the past and paving our own artistic paths. Successful artists recognize the transformative power of their predecessors' work and view it as a foundation upon which they can build their own artistry. They acknowledge that art, like life itself, is a dynamic and ever-evolving process.Consider Picasso, one of the most influential artists of the 20th century, who famously said, "Good artists copy, great artists steal." Picasso, a master of avant-garde movements, embraced the works of notable artists before him, such as Cézanne and African tribal art. By incorporating and reinterpreting their style within his own unique artistic vision, Picasso redefined the art world, becoming one of its most celebrated figures. His quote serves as a testament to the importance of learning from what has been done before while infusing one's own creativity and innovation.To truly understand the significance of Wharton's quote, we must recognize that art exists within a historical context. Each generation of artists builds upon the achievements of their predecessors, contributing to an ongoing tapestry of creativity. Without an appreciation for what has come before, artists risk stagnation, creating works devoid of depth, originality, and connection to the human experience.Yet, Wharton's quote also serves as a cautionary reminder. The dread of doing what has been done before can stem from a fear of being seen as unoriginal or derivative. In a society that values novelty, artists may find themselves trapped in a constant pursuit of "being different" without considering the authenticity of their creative expressions. This fear can lead to shallow and predictable art that lacks substance and fails to resonate with audiences.A truly mature artist navigates this delicate balance, recognizing the value of tradition while fearlessly exploring new territories. They embrace the knowledge and techniques passed down through centuries while infusing their own unique voice and perspective. Such artists demonstrate a deep understanding of their artistic lineage and use it as a springboard to transcend boundaries and create art that echoes throughout the ages.In conclusion, Edith Wharton's quote sheds light on the common symptom of immaturity in modern art, namely, the fear of doing what has been done before. It invites us to contemplate the duality of this sentiment and reflect upon our approach to creativity. By incorporating the philosophical concept of existentialism, we can grasp the importance of embracing artistic traditions while pushing the boundaries of innovation. The path to mature artistry lies in recognizing the transformative power of the past and fearlessly embracing our unique creative journey. Only then can we create truly meaningful and impactful works of art that resonate with the ever-evolving human experience.