Virginia Woolf: 'The beautiful seems right by force of beauty, and the feeble wrong because of weakness.'

The beautiful seems right by force of beauty, and the feeble wrong because of weakness.

In her profound wisdom, Virginia Woolf once wrote, "The beautiful seems right by force of beauty, and the feeble wrong because of weakness." These words encapsulate a fundamental aspect of our human perception and judgment: our tendency to equate beauty with righteousness and weakness with wrongness. At first glance, this quote extols the power of aesthetics and the allure of beauty, implying that when something appears beautiful, it automatically feels right. Conversely, anything feeble or weak is deemed undesirable or even incorrect. Such a simplistic interpretation, however, fails to delve into the complexities of this quote and the profound philosophical questions it poses.When considering Woolf's statement in a more straightforward manner, it becomes evident that human beings rely heavily on their visual senses. We are captivated by the sheer force of beauty, allowing it to override our rationality and shape our perception of right and wrong. We often find ourselves drawn to objects, ideas, or individuals deemed beautiful, associating their aesthetic appeal with inherent goodness or truth. In contrast, we tend to dismiss or undervalue things that appear weak or feeble, labeling them as wrong or unworthy due to their lack of strength or significance.While this inclination towards beauty may seem natural and instinctive, it is essential to question the validity of this correlation between aesthetics and judgment. Does beauty truly hold such power over our moral compass? Does the charm of a person or object genuinely imply their righteousness, and conversely, does weakness inherently signify their wrongness? To explore these profound philosophical conundrums further, let us introduce an unexpected concept: the philosophy of the sublime.The sublime, as defined by the 18th-century philosopher Edmund Burke, refers to an experience of profound awe and terror in the face of something infinitely powerful or vast, beyond our comprehension and control. Unlike beauty, which elicits delight and pleasure, the sublime overwhelms our senses and pushes us beyond our comfort zone. This discrepancy between beauty and the sublime offers an intriguing perspective on Woolf's quote.In the realm of the sublime, power and significance are not necessarily tied to beauty alone. A thunderstorm raging across the sky or a mighty waterfall cascading down a steep cliff may not conform to traditional canons of beauty. Yet their sheer force and awe-inspiring nature evoke a sense of reverence, challenging our preconceived notions about aesthetics and judgment. In the context of the sublime, feebleness or weakness can be embraced as a testament to vulnerability and fragility, encouraging us to question our initial inclination to dismiss or reject it.By introducing the sublime as a counterpoint to beauty, we open ourselves up to a more nuanced understanding of Woolf's quote. While beauty may captivate us and hold a certain persuasive power, aligning it with righteousness lacks depth and fails to consider the multifaceted nature of the human experience. We must acknowledge that our perception of right and wrong should not be solely guided by the allure of beauty, nor should feebleness be hastily dismissed as wrong or undesirable.In contemplating Woolf's statement, we are confronted with the richness and complexity of our existence. It invites us to question the validity of our judgments and the frameworks we use to evaluate the world around us. By exploring the philosophy of the sublime as a counterbalance to the force of beauty, we broaden our perspective, nurturing a more inclusive and empathetic approach to discerning what simply "seems right."In conclusion, Virginia Woolf's quote reminds us of the powerful sway beauty holds over our perception of right and wrong. However, in embracing the philosophy of the sublime, we find that true righteousness extends beyond what is immediately appealing to our senses. The feeble should not be dismissed simply because of its weakness, for within vulnerability lies a unique strength. By challenging our assumptions and deeply pondering the complexities of aesthetics and judgment, we can move closer to truly understanding what is right, not solely by the force of beauty, but through a more enlightened and holistic perspective.

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Rebecca West: 'Writing has nothing to do with communication between person and person, only with communication between different parts of a person's mind.'

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Michael W. Smith: 'I've been there and done all that, sold millions of records, and that doesn't bring you peace.'