Samuel Johnson: 'Your manuscript is both good and original but the part that is good is not original, and the part that is original is not good.'

Your manuscript is both good and original but the part that is good is not original, and the part that is original is not good.

Samuel Johnson's infamous quote, "Your manuscript is both good and original but the part that is good is not original, and the part that is original is not good," carries a profound message about creativity, originality, and quality in artistic endeavors. At first glance, the quote seems to suggest a paradoxical dilemma for creators: what is considered good tends to lack originality, while what is original may not always meet the standards of excellence. This raises questions about the balance between innovation and traditional standards of quality in creative works.In the realm of art, literature, and any form of creative expression, the quest for originality often drives artists to push boundaries, break conventions, and explore new territories - all with the aim of leaving a lasting impact on their audience. However, as Johnson noted, being too focused on being entirely original can sometimes lead to sacrificing elements that are tried-and-true, well-crafted, and resonate deeply with the audience. This tension between originality and quality is a constant struggle for many creators who seek to find the perfect blend of innovation and excellence in their work.To delve deeper into this conundrum, let's introduce an unexpected philosophical concept that sheds a new light on Johnson's quote: the philosophy of wabi-sabi. Originating from Japanese aesthetics, wabi-sabi is a worldview that embraces imperfection, impermanence, and incompleteness as intrinsic qualities of beauty and authenticity. In the context of creativity, wabi-sabi challenges the notion of flawless originality and perfection by celebrating the beauty of imperfections and the patina of age. It invites us to appreciate the unique character and depth that can arise from the synthesis of traditional craftsmanship and individual creativity.When we apply the principles of wabi-sabi to Johnson's quote, we see a harmonious reconciliation between the dichotomy of good versus original in creative works. In this light, what is good may not necessarily be wholly original, but it carries the essence of time-honored craftsmanship, refinement, and soulfulness that resonate with the audience on a profound level. Conversely, what is original, even if it may not meet conventional standards of quality, possesses a raw, unpolished beauty and a daring spirit that captivates with its authenticity and boldness.Ultimately, Johnson's quote serves as a poignant reminder to creators to strike a balance between drawing inspiration from tradition and daring to innovate, to embrace imperfections as part of the creative process, and to honor the rich tapestry of influences that shape our artistic expressions. By embracing the nuanced interplay of good and original in our creative pursuits, we can craft works that are not only aesthetically pleasing but also deeply resonant, meaningful, and enduring in their impact on both creators and audiences alike.