Robert Henri: 'Good composition is like a suspension bridge - each line adds strength and takes none away.'

Good composition is like a suspension bridge - each line adds strength and takes none away.

Robert Henri, a renowned American painter and teacher, once stated that "good composition is like a suspension bridge - each line adds strength and takes none away." This quote serves as a fundamental principle for creating visually appealing and harmonious artwork. In its straightforward interpretation, it implies that every element within a composition is crucial in contributing to its overall strength and impact. Just as each line of a suspension bridge plays a vital role in supporting its structure, every line, shape, and color in a work of art contributes to its overall aesthetic appeal. This quote highlights the importance of each component and emphasizes that nothing should be overlooked or dismissed in the pursuit of artistry.However, let us delve deeper into this notion and explore an unexpected philosophical concept that links to Henri's statement. The idea of "non-dualism" offers an intriguing perspective that can be drawn upon to expand our understanding of good composition and its impact on visual art. Non-dualism asserts that seemingly opposing forces or elements in the world actually exist interdependently, complementing and defining one another. In this context, we can view the lines in a composition not as isolated entities but rather as interconnected and inseparable elements that contribute to the overall strength and visual impact of the artwork.Imagine a painting, with each brushstroke representing a line - thick or thin, straight or curved, dark or light. These strokes work in unison, just like the lines of a suspension bridge. Each stroke adds its unique energy and character to the composition without detracting from the others. The interplay of contrasting lines creates a dynamic visual experience that captures the viewer's attention and stimulates their imagination. In non-dualistic terms, one could argue that a line's strength and impact are heightened by its relationship with the lines around it, forming a harmonious whole.Consider the distinctive style of Vincent van Gogh, known for his expressive brushwork and impasto technique. In his masterpiece "Starry Night," the swirling lines convey movement and tumultuous emotions. Without the juxtaposition of these lines, the painting would lose its dynamic quality and become flat and lifeless. Each line adds strength to the composition, bringing it to life on the canvas.The concept of non-dualism also encourages us to consider the interconnectedness of the artist and their creation. Just as the lines in a composition are not separate entities but rather extensions of one another, the artist and artwork are intimately linked. The artist's emotions, thoughts, and experiences manifest through their brushstrokes and lines, permeating the artwork. Thus, the strength of the lines in a composition can be seen as reflective of the artist's own passion, skill, and artistic vision.Returning to Henri's quote, we can now appreciate its depth and significance. Good composition indeed resembles a suspension bridge, as each line strengthens the composition while also benefiting from the presence of others. This interdependence extends beyond the lines themselves, encapsulating the relationship between artist and artwork, and even the interconnectedness of all things.In conclusion, Robert Henri's quote on good composition invites us to consider the intricate balance and interplay of lines within a work of art. Embracing the concept of non-dualism, we can understand that each line contributes its own unique strength and character to the composition, while simultaneously being enhanced by the lines around it. This philosophical perspective offers a new layer of appreciation for the artistry and complexity that exists within a well-composed piece. By recognizing the interconnectedness of elements, we gain a deeper understanding of the visual impact and emotional resonance that can be achieved through the careful arrangement of lines in an artwork.