Isaac Rosenberg: 'Nobody ever told me what to read, or ever put poetry in my way.'

Nobody ever told me what to read, or ever put poetry in my way.

Isaac Rosenberg's quote, 'Nobody ever told me what to read, or ever put poetry in my way,' holds a significant meaning that speaks to the idea of self-discovery and individual exploration when it comes to literature and art. The essence of the quote lies in the idea that true appreciation for poetry, or any form of art, often arises organically and authentically from within oneself, rather than being imposed or dictated by external influences. It suggests that the most profound encounters with poetry and literature occur when one comes across them serendipitously, without any preconceived notions or guidance from others. This notion emphasizes the intrinsic value of personal exploration and innate curiosity in shaping one's intellectual and emotional development.However, delving deeper into Rosenberg's words opens up a realm of philosophical contemplation regarding the concept of free will and determinism. The quote can inadvertently invite us to consider the interplay between our individual agency in choosing what to read and the seemingly random occurrences that bring poetry into our lives. Could it be that there is a predestined path or series of events that guide us towards certain pieces of literature or art, despite the illusion of autonomy in our choices? Or is it truly a product of our own volition and curiosity that leads us to discover the beauty and depth of poetry, as if by chance?In juxtaposing the idea of self-directed discovery of poetry with the philosophical debate on determinism and free will, we are prompted to reflect on the intricate balance between external influences and internal impulses that shape our experiences with art and literature. While the quote initially suggests independence and spontaneity in encountering poetry, the underlying implications invite us to ponder the complex nature of human agency and the mysterious ways in which we navigate our literary journeys. Ultimately, Rosenberg's words serve as a thought-provoking catalyst for exploring the intricate relationship between individual choice and the unseen forces that may guide us towards profound encounters with poetry and the arts.

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Theodore Sturgeon: 'I wrote the very first stories in science fiction which dealt with homosexuality, The World Well Lost and Affair With a Green Monkey.'

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Max Muller: 'A flower cannot blossom without sunshine, and man cannot live without love.'