Dario Argento: 'The Opera was a very cold film, a hopeless and dark film, no hope, no love.'

The Opera was a very cold film, a hopeless and dark film, no hope, no love.

In his quote, renowned Italian filmmaker Dario Argento succinctly captures the essence of his movie, 'Opera.' Argento describes the film as cold, hopeless, and dark, devoid of hope and love. This interpretation of his own work provides valuable insight into the intent and direction of the film, shedding light on its underlying themes and exploring the emotional landscape it presents. However, in understanding the significance of Argento's quote, it is illuminating to introduce the concept of existentialism, a philosophical school of thought that delves into the complexities of human existence, purpose, and freedom. By examining 'Opera' through the lens of existentialism, we can compare and contrast Argento's bleak portrayal with the inherent human struggle for meaning and individuality.Argento's choice of words in describing 'Opera' as a "cold film" highlights the absence of warmth and emotional connection within the narrative. This chilling atmosphere establishes a sense of detachment, drawing the viewer into a world stripped of familiar comforts. The absence of hope and love introduces a prevailing sense of despair, emphasizing the jadedness and cynicism that permeate the characters' lives. These elements create a dark and foreboding ambiance, mirroring the grim tone that Argento sought to convey.Existentialism, on the other hand, offers a contrasting perspective on human existence. It posits that individuals are responsible for creating their own meaning and purpose in a world lacking inherent value or predetermined destiny. According to existentialist thinkers like Jean-Paul Sartre or Albert Camus, human freedom and the choices we make are central to our existence. This philosophical school encourages individuals to confront the existential angst that arises from the awareness of our mortality and the often absurd nature of life.In 'Opera,' Argento presents a world bereft of hope, love, and warmth. This desolate landscape can be seen as a reflection of the existential crisis many individuals face when confronted with the harsh realities of life. The characters in the film grapple with their own existence, constantly seeking meaning and connection but ultimately falling victim to a sense of hopelessness. The absence of hope and love becomes symbolic of the existential predicament, where individuals confront the existential void and the difficulties of finding purpose in an indifferent universe.By juxtaposing Argento's description of 'Opera' with the philosophical framework of existentialism, a deeper understanding of the film emerges. While Argento's portrayal is intentionally cold and devoid of hope and love, it intersects with the core themes of existentialism. Both the film and the philosophy explore the depths of human experience, capturing the struggle to find meaning in a seemingly chaotic and indifferent world.In conclusion, Dario Argento's quote about 'Opera' provides valuable insights into the mood, tone, and thematic undertones of the film. By describing it as cold, hopeless, and lacking love, Argento sets the stage for a dark and foreboding narrative. However, when examining the film through the lens of existentialism, a contrasting philosophical concept emerges. The existential struggle for meaning and purpose in the face of a seemingly indifferent universe intersects with Argento's chilling portrayal, shedding light on the intricate complexities of human existence. The quote serves as a starting point for a deeper exploration of the film's themes and the broader existential questions it raises.