Edward Bond: 'First there was the theatre of people and animals, then of people and the devil. Now we need the theatre of people and people.'

First there was the theatre of people and animals, then of people and the devil. Now we need the theatre of people and people.

In the quote by Edward Bond, "First there was the theatre of people and animals, then of people and the devil. Now we need the theatre of people and people," the playwright encapsulates the evolution of theatre and highlights the need for a shift in focus towards human relationships. It is a call to move away from the allegorical and metaphysical elements that were prevalent in earlier forms of theatre.In a straightforward interpretation, the quote suggests that theatre has progressed through different stages. Initially, it encompassed the interaction between people and animals, representing a primal connection to the natural world. Then, it evolved to portray the struggles and temptations of humans in their interactions with the devil, reflecting a more moralistic narrative. However, Bond argues that it is now time for a new kind of theatre - one that explores the complexities of human relationships.Beyond its direct meaning, this quote can be seen as a springboard to a philosophical exploration of human interaction. It prompts us to consider the significance and impact of connections between individuals. By emphasizing the need for a theatre dedicated to "people and people," Bond suggests that the relationships we form with one another are fundamental to our collective human experience. It raises important questions about the nature of these relationships, their depth, and the potential for growth and transformation within them.Comparing and contrasting the theatrical representations of people with animals and the devil illuminates the central theme of human connection. The theatre of people and animals portrays an instinctual and primal bond between humans and the natural world. It symbolizes our interconnectedness with all living beings and the importance of understanding our place within the ecosystem. This form of theatre showcases our capacity for empathy and challenges us to consider the impact of our actions on the world around us.On the other hand, the theatre of people and the devil delves into the struggle between good and evil, exploring moral dilemmas and the complexities of human desires. This form of theatre embodies the internal conflicts we face as individuals, often highlighting the consequences of succumbing to temptation or the triumph of resisting it. It serves as a cautionary tale, reminding us of the choices we make and their consequences for ourselves and those around us.However, Bond argues that it is now time to move beyond these representations and focus on the theatre of people and people. This shift in perspective represents an acknowledgment of the transformative power of human relationships. It encourages us to examine the depth and complexity of our interactions with others, to understand and empathize with their experiences, and to explore the potential for growth and connection within these relationships.The theatre of people and people, therefore, invites us to contemplate the intricate dynamics that shape our lives. It beckons us to step away from the metaphysical and allegorical and delve into the richness of human experiences, embracing the diversity of relationships and the stories they hold. By placing an emphasis on the theater of people and people, Bond challenges us to recognize the importance of authentic connections and the potential for mutual growth and understanding.In conclusion, Edward Bond's quote reflects the evolution of theatre and calls attention to the significance of human relationships in our collective experience. While the theatre of people and animals and the theatre of people and the devil explore our connection to the natural world and the struggles of moral choices, the theater of people and people compels us to explore the complexity and transformative potential of human interaction. By prioritizing the intrinsic value of genuine connections, this new form of theatre can shed light on the true essence of our existence and allow us to contemplate the profound impact that relationships have on our lives.

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Edward Bond: 'The English sent all their bores abroad, and acquired the Empire as a punishment.'

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Edward Bond: 'I'm not interested in an imaginary world.'