Robert Frost: 'Modern poets talk against business, poor things, but all of us write for money. Beginners are subjected to trial by market.'

Modern poets talk against business, poor things, but all of us write for money. Beginners are subjected to trial by market.

In Robert Frost's quote, 'Modern poets talk against business, poor things, but all of us write for money. Beginners are subjected to trial by market,' he sheds light on an ironic reality that many artists face. On the surface, this quote simply states that even though modern poets may lament the commercialization of art, the majority of them ultimately write with the expectation of financial compensation. However, when we delve deeper into this observation, it unveils a profound philosophical concept regarding the interplay between art, creativity, and the capitalist society we inhabit.At first glance, Frost's words might seem to imply a subtle criticism of poets who speak against commercialism while simultaneously seeking monetary gain from their artistic endeavors. Yet, it is essential to understand the nuanced relationship between art and commerce. Artists, especially those starting their careers, are often at the mercy of the market. They face the trial of having their work evaluated and deemed valuable or not based on its perceived marketability.In this context, the "trial by market" can represent the harsh and unpredictable nature of the creative industry. As beginners, poets are often subjected to the whims and preferences of consumers, publishers, and critics. Their success or failure can be influenced by factors beyond their control, such as trends, public taste, and marketing strategies. This inherent vulnerability underscores the challenges emerging poets face in navigating the competitive landscape, where talent alone may not be sufficient to secure recognition or financial stability.However, let us consider a contrasting perspective rooted in a more unconventional philosophical concept, namely postmodernism. Postmodernism challenges traditional notions of artistic value and seeks to dismantle the established hierarchies that govern creative expression. From a postmodern standpoint, the commodification of art and the emphasis on market forces are seen as reductive and limiting.In this light, Frost's observation about the monetization of poetry highlights a tension between the idealistic pursuit of self-expression and the pragmatic need to survive in a capitalist society. It invites us to critically examine the dynamics of the art world and reflect on the compromises artists may make to sustain their creative pursuits. Can poets maintain their artistic integrity while navigating the demands of the market-driven economy they operate within? Is it possible to transcend the commercialization of art and find meaning and fulfillment purely in the act of creation?These questions prompt us to explore the profound existential struggle faced by artists in a capitalist society. On one hand, there is an undeniable appeal in creating art as an expression of the human spirit—for its own sake, untethered from financial considerations. On the other hand, artists also have practical needs and responsibilities, and their work often requires recognition and financial reward to flourish and reach a wider audience.The tension between art and commerce is not unique to contemporary poets but has persisted throughout history, marking an eternal debate. Take, for example, the Renaissance period, where artists like Michelangelo and Leonardo da Vinci faced similar dilemmas. Their masterpieces were commissioned by powerful patrons keen to assert their wealth and influence. In many cases, art was subject to both the artist's creative vision and the expectations of those who held the purse strings.Today, this tension remains evident in various artistic industries, including music, literature, and visual arts. Aspiring musicians may strive to create art that resonates deeply with their own artistic vision, yet, in order to gain exposure and secure a living, they often find themselves conforming to market trends. Similarly, aspiring writers may yearn for creative freedom, but the allure of financial compensation and professional success can pull them toward writing what sells rather than what truly represents their authentic voice.In conclusion, Robert Frost's quote serves as a reminder of the intricate relationship between art and commerce. While it may expose an inherent conflict between artistic idealism and the practical realities of a capitalist society, it also invites us to ponder whether these tensions can be reconciled. The "trial by market" provides the backdrop against which emerging poets and artists must navigate, recognizing the challenges they face in staying true to their creative pursuits while also seeking a sustainable livelihood. It encourages us to reflect on the compromises artists make in their quest for validation, recognition, and financial stability, as well as the potential for art to transcend the constraints of commerce.