Jerry Saltz: 'Art usually only makes the news in America when the subject is money.'

Art usually only makes the news in America when the subject is money.

Jerry Saltz's quote, "Art usually only makes the news in America when the subject is money," succinctly highlights the pervasive influence of monetary values on the American art scene. In a straightforward sense, the quote suggests that the media and public's interest in art often hinges on the financial aspects surrounding it, such as record-breaking auction sales, exorbitant prices, or scandalous transactions. This emphasis on money can overshadow the deeper meaning and inherent value of art itself, leaving little room for other discussions or appreciations.However, let's delve deeper into the underlying philosophical concept that this quote implies – the commodification of art. Art, in its purest form, represents creativity, self-expression, and a reflection of the human experience. It has the potential to ignite emotions, challenge established norms, and inspire social change. But when art is reduced to merely a financial asset, it loses some of its intrinsic value and is often regarded solely for its monetary worth.This commodification of art reflects the broader capitalist system that permeates American society. In a culture driven by consumerism, where the dollar sign reigns supreme, it is hardly surprising that art finds itself entangled in the web of financial interests. Galleries focus on sales, artists strive for marketability, and collectors seek investment opportunities. This relentless pursuit of profit can eclipse the appreciation of creativity, innovation, and the power of artistic expression.In contrast, some cultures have managed to maintain a more balanced approach to art – one that does not solely revolve around money. For instance, traditional indigenous communities often view art as deeply entwined with their spiritual and cultural heritage. Artworks are seen as vessels that contain ancestral wisdom, narratives, and a connection to the natural world. In these societies, art serves a profound purpose beyond monetary gain; it becomes a conduit for preserving identity and fostering community cohesion.Moreover, certain philosophical perspectives challenge the notion that art's worth can be exclusively measured in monetary terms. Existentialist philosophers, for instance, emphasize the subjective nature of human experiences. From this perspective, art serves as a vehicle for individuals to communicate their innermost thoughts, emotions, and perceptions. Its value lies not in its potential price tag but in its ability to evoke profound meaning and connection among individuals.Considering these contrasting viewpoints, it becomes crucial to question the prevailing emphasis on money in the American art world. By reducing art to a financial commodity, we risk overlooking its transformative potential and stifling the voices of artists whose works may not align with the market's demands. It is essential to encourage a more holistic appreciation of art, one that encompasses its cultural, social, and emotional significance.In conclusion, Jerry Saltz's perceptive quote shines a light on the tendency for art in America to dominate news headlines only when tied to financial matters. However, by unpacking the underlying philosophical concept of art commodification, we unveil the potential dangers of this monetary-focused approach. Acknowledging varied cultural perspectives and questioning prevailing values can help redefine the role of art in our society. It is vital to celebrate art's capacity for expression, reflection, and connection, allowing it to transcend the confines of monetary value and truly resonate with the human experience.

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Lascelles Abercrombie: 'The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.'

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Fritz Sauckel: 'The Diet was dissolved by a Reich Government decree.'