Alan Hovhaness: 'It's hard for me to think of others because I'm not particularly in sympathy with the music of this century.'

It's hard for me to think of others because I'm not particularly in sympathy with the music of this century.

In his quote, "It's hard for me to think of others because I'm not particularly in sympathy with the music of this century," composer Alan Hovhaness sheds light on his personal struggles in connecting with the music of his own time. At first glance, this statement may seem self-centered or dismissive, but it serves as a thought-provoking reminder of the eternal tug-of-war between tradition and innovation in the arts. Hovhaness's statement can be interpreted as an expression of his longing for the past, an era of music that resonates more deeply with his sensibilities. However, beneath the surface, his words prompt us to consider whether his affinity for the music of the past influences his ability to empathize with the present. This dilemma opens the door to an unexpected philosophical concept - the role of sympathy in artistic expression and its impact on our ability to embrace change.An essential aspect of art is its ability to reflect the spirit of the age in which it is created. Through the centuries, music has evolved, morphing and adapting to the shifting cultural, social, and technological landscapes. Each new era brings with it a unique musical language that captures and communicates the prevailing emotions, thoughts, and experiences of that time. It is within this context that Hovhaness's statement gains significance, as it highlights a tension that many artists face - the struggle to reconcile their personal preferences with the demands and expectations of contemporary artistic expression.On one hand, Hovhaness's statement reveals his deep-rooted attachment to the music of the past. It signifies his longing for the rich traditions, harmonies, and stylistic approaches that once defined the musical landscape. This sentiment is understandable, as artists often draw inspiration from the giants who came before them, finding solace and creative energy in the timeless masterpieces that shaped their artistic identities.However, this longing for the past can also inadvertently restrict an artist's ability to fully appreciate and embrace the music of the present. By fixating on a specific era, they risk isolating themselves from the ever-evolving creative expressions that surround them. Hovhaness's quote raises an important question: Can one truly understand and empathize with the current musical climate if their mind remains steeped in the nostalgia of bygone eras?This brings us to the philosophical concept of sympathy - the ability to understand and share the feelings of another. In the context of artistic expression, sympathy plays a crucial role in connecting with an audience, as well as with other artists. It requires the openness to step outside one's own comfort zone and embrace the unfamiliar. It is through this empathetic lens that we truly appreciate the nuances and intentions behind the music of our time, allowing it to enrich our own understanding of artistic expression.Hovhaness's statement raises intriguing questions about the delicate balance between personal preferences and artistic evolution. Can an artist fully engage with the music of their era if their sympathies predominantly lie with the past? Or does this very tension give birth to new forms of creativity and innovation, as artists strive to bridge the gap between tradition and the present?Perhaps, at its core, Hovhaness's sentiment is a call for artists to explore, challenge, and transcend their comfort zones. By delving into unfamiliar musical territories, they can broaden their understanding of the human experience and fully embrace the diverse range of emotions and ideas that contemporary music has to offer. It is through this journey of discovery that an artist can cultivate a deeper sense of empathy and ultimately become a bridge between the music of the past and the ever-unfolding language of the present.In conclusion, Alan Hovhaness's quote, "It's hard for me to think of others because I'm not particularly in sympathy with the music of this century," encapsulates the conflict artists often face in reconciling their personal preferences with the demands of contemporary expression. While his longing for the music of the past is relatable, it urges us to consider the role of sympathy in artistic growth. Through empathy, artists can embrace the music of their time, allowing it to inform their own creative journeys. The tension between tradition and innovation becomes a catalyst for great art, bridging the gap between eras and propelling the ever-evolving landscape of music forward.

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Lee Trevino: 'When you really deep down look at it, we go to bed every night, get up every morning, stay here for 70 or 80 years, and then we die.'

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