Why did Mabel think Ben was poisoned?
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The world of drama is no stranger to the dark allure of poison. From Shakespeare's tragic tales to modern-day thrillers, the silent, sinister act of poisoning has been a favored plot device. In the latest episode of "Only Murders in the Building," when Ben Glenroy collapses on stage, Mabel's immediate suspicion is poisoning. But why? Let's delve into the history and psychology behind this assumption.
The Legacy of Poison in Drama
The use of poison as a plot device dates back centuries. Shakespeare, the master playwright, employed it in several of his works. Who can forget the tragic end of Romeo and Juliet, where poison plays a pivotal role? Or the haunting scene in "Hamlet" where King Claudius poisons the king's ear? These scenes are etched in our collective memory, reminding us of the silent power of poison.
In literature, Agatha Christie, the queen of mystery, often used poison to dispatch her victims. Her detailed knowledge of toxicology, combined with her intricate plots, made for some of the most thrilling whodunits. Christie's influence on mystery and drama is undeniable, and her shadow looms large over modern interpretations of the genre.
The Psychology of Poison
Poison is a weapon of stealth. Unlike a gun or knife, it doesn't require physical strength or confrontation. It's the weapon of choice for those who prefer to operate in the shadows, making it a perfect tool for drama. The act of poisoning is intimate, requiring the perpetrator to know their victim's habits, likes, and dislikes.
Mabel, with her sharp instincts and knowledge of crime (thanks to her obsession with true crime podcasts), might have jumped to the conclusion of poisoning because it's a method that requires premeditation. It's not a crime of passion or a spur-of-the-moment decision. Someone wanted Ben dead, and they planned it.
The Theatricality of Poison
The stage setting of "Only Murders in the Building" adds another layer to the suspicion. The theater is a place of spectacle, emotion, and, most importantly, illusion. What better place for a dramatic poisoning than on stage, in front of an unsuspecting audience? The very idea sends shivers down the spine.
Moreover, the symptoms of poisoning can be varied and dramatic, from foaming at the mouth to sudden collapses. In Ben's case, his sudden fall might have seemed like an act, a part of the play, until the grim reality set in. This blurring of lines between reality and fiction adds to the show's tension and intrigue.
While Charles noticed blood, which might steer the investigation away from poisoning, Mabel's initial suspicion is rooted in a deep history of drama and mystery. "Only Murders in the Building" masterfully plays with these tropes, keeping viewers on the edge of their seats.
As the series unfolds, it remains to be seen whether Mabel's hunch was right. But one thing is for sure: the age-old art of poisoning in drama is alive and well, reminding us of the timeless appeal of a well-spun mystery.
