Meaning of Missionary Man by Eurythmics

The Eurythmics' classic hit "Missionary Man" is a song that delves into the notions of sin, faith, and the power dynamics between individuals. It reflects upon the struggles of conformity, the questioning of religious authority, and the importance of staying true to oneself. Through its lyrics, the song presents various thought-provoking themes that build upon the central message.In the opening verse, the idea of being an "original sinner" is introduced. This lyric alludes to the concept of inherent flaws and imperfections within every human being. It suggests that we are all born with a tendency to deviate from the expectations of society and the norms dictated by religion. In this context, the theme of individuality and embracing one's unique qualities emerges. It highlights the significance of accepting and expressing oneself, despite the pressures to conform.Moving into the chorus, the repeated line "Don't mess with a missionary man" emphasizes the theme of challenging authority. The missionary man represents an individual who claims to have a divine purpose and acts as a messenger of religious doctrine. However, the song warns against blindly following such figures and the potential dangers that lie within their influence. This theme delves into the critical examination of religious teachings and the importance of maintaining a level of skepticism.One of the standout lyrics in the second verse states, "He said, 'Stop what you're doing? Get down upon your knees!'" This line portrays an act of demanding submission and obedience. It prompts a discussion about power dynamics and the manipulation that can occur within faith-based interactions. The theme here centers around the importance of questioning authority and maintaining autonomy in the face of coercive tactics.A particularly intriguing theme arises from the connection drawn between the missionary man and a woman in the jungle and a monkey on a tree. This unexpected and imaginative comparison suggests a power imbalance embedded within hierarchical structures. The missionary man's pursuit of control mirrors the scenario where a dominant force intrudes upon and attempts to convert those whom they perceive as lesser than themselves. It unveils a theme revolving around the exploration of dominance and exploitation within religious contexts.The chorus comes to life with the line "He's got the saints and apostles backing up from behind." This lyric delves into the subject of blind allegiance to religious figures and the idea that they are supported by revered historical figures. This theme highlights the notion that religious authorities often use the legacies of influential individuals to legitimize their own power. It urges listeners to critically analyze these claims and not be swayed solely by the reputations of those who came before.Finally, the closing verse speaks of being "born from original sin." This line revisits the theme of acceptance of one's flaws and delves further into the complexities of religious teachings surrounding sin. Rather than promoting shame or guilt, it encourages individuals to acknowledge their imperfections as part of being human. This theme explores the concept of self-forgiveness and personal growth.In summary, the themes presented in the lyrics of "Missionary Man" are diverse and thought-provoking. From individuality to the questioning of authority, and from power dynamics to self-acceptance, the song conveys a complex narrative. It encourages listeners to critically reflect upon their beliefs, challenge dogmatic teachings, and embrace their authentic selves. Through its captivating and imaginative themes, "Missionary Man" continues to captivate audiences and provoke deep contemplation on the nature of faith and personal autonomy.