Meaning of Ricochet by David Bowie

David Bowie's song, "Ricochet," delves into a profound exploration of themes that are both thought-provoking and hauntingly beautiful. The song touches upon the complexities of human existence, the fragility of memory, and the struggle for identity within a society that often forgets its own individuals. Each lyric paints a vivid image that contributes to the development of these themes, inviting listeners to peer into the depths of Bowie's lyrical genius.In the opening verses, Bowie sets the stage by presenting a sense of expectancy and vulnerability. The line, "Like weeds on a rockface waiting for the scythe," encapsulates the fragility of life and the anticipation of an imminent end. This imagery serves to introduce the overarching theme of transience and the transient nature of human existence. Bowie further emphasizes this theme with the repeated phrase, "Ricochet - ricochet," as if highlighting the ricocheting and unpredictable nature of life itself.The lyrics, "Turn the holy pictures so they face the wall. 'And who can bear to be forgotten,'" explore the idea of collective forgetfulness within society. By turning holy pictures to face the wall, Bowie suggests a deliberate act of neglect, symbolizing the erasure of memories and the indifference towards individual lives. This theme of forgetfulness becomes even more nuanced as the chorus asserts, "March of flowers, march of dimes. These are the prisons, these are the crimes."Interpreting these lines metaphorically, Bowie presents society as a prison of conformity, limiting individual expression and perpetuating a cycle of forgetfulness. The mention of flowers and dimes adds an unexpected twist to the themes, offering an imaginative perspective. Flowers, traditionally symbols of beauty and life, are juxtaposed with dimes, representing wealth and material gain. This combination implies the inner conflict individuals face between their own aspirations for personal growth and the societal pressures that stifle their dreams. It speaks to the difficulty of finding identity and fulfillment in a world driven by materialism.The verse, "Sound of thunder, sound of gold. Sound of the devil breaking parole," introduces the concept of rebellion and the breaking free from societal constraints. In this context, "devil breaking parole" portrays the rebellion against established norms and expectations. Bowie suggests that this rebellion, although disrupting the status quo, might hold a transformative power. The use of thunder and gold as symbols juxtaposes chaos and wealth, suggesting that breaking free from societal chains can lead to a path of self-discovery and personal richness.Bowie brings these themes full circle by reiterating the line, "And who can bear to be forgotten." This refrain emphasizes the dire consequences of forgetfulness and the fear of being lost among the masses. Being forgotten implies a loss of identity and a void within one's existence. It serves as a reminder of the importance of individuality and the struggle to maintain it in a society that often overlooks the uniqueness of each person.Ultimately, "Ricochet" is a poetic tapestry that weaves together themes of transience, forgetfulness, rebellion, and the longing for individual recognition. Through unexpected and imaginative metaphors, Bowie challenges listeners to reflect on their own lives and the society in which they exist. The song serves as a poignant reminder of the inherent human desire to be seen, heard, and remembered amidst the chaos and indifference of the world.In this transient existence, where the memories of countless individuals ricochet off the walls of societal norms, it is vital to stand up, break free, and leave an indelible mark upon the world. Bowie's "Ricochet" serves as a hauntingly beautiful anthem for those who dare to resist forgetfulness and reclaim their individuality. It beckons us to embrace our unique personas and strive to be unforgettable in a world that too often wishes to erase the essence of our being.