The best Beastie Boys lyrics about Street art

Street art has long been a means of self-expression and communication for individuals who feel marginalized or excluded from mainstream channels. It is a form of rebellion against traditional aesthetics and an invitation to the public to engage with art in unexpected places. The theme of street art is prevalent in the lyrics and songs of the Beastie Boys, the iconic hip-hop group known for their innovative music and socially conscious messages. Through their music, the Beastie Boys have celebrated and emulated the rebellious spirit and DIY ethos of street art, creating a unique sonic and visual landscape that resonates with their audience.One of the first examples of street art in the Beastie Boys' lyrics can be found in their iconic song, "Paul Revere." In this track, they rap, "I did it like this, I did it like that / I did it with a wiffle ball bat / So I'm on the run, the cops got my gun / And right about now, it's time to have some fun." These lines encapsulate the spirit of street art, with the Beastie Boys emphasizing their ability to create and express themselves using unconventional methods and materials. The mention of being on the run from the cops adds an element of rebellion and danger that is often associated with illegal street art.In another track, "Hold It Now, Hit It," the Beastie Boys again reference street art in their lyrics, stating, "Before I'd let it go, don't rush my show / You try to reach and grab and get elbowed / Word to herb, an' I'm superb / When I present the funk, I feel I'm on a deli." Here, they use graffiti-like imagery, describing themselves as artists defending their creative space, much like street artists who guard their work from being defaced or removed by authorities. The mention of a deli adds a playful element to the lyrics, evoking the idea that their music is something to be savored and enjoyed, like a delicious meal.In the song "Make Some Noise," the Beastie Boys pay homage to street art culture and the artists who came before them, rapping, "Riding down the block with my box in my hand / Today I feel like pleasing you more than before / Got the 'Burb on the streets, we got the radio on / Dock of Beastie Boys' songs, they're getting kind of long / We didn't write it, if it's not for the writing." These lines showcase the Beastie Boys' appreciation for the pioneers of street art and their acknowledgment that they are part of a larger movement. By referencing their own lyrics and the length of their songs, they highlight their commitment to creating authentic and meaningful music, fitting seamlessly within the street art ethos.Another notable example of street art in the Beastie Boys' lyrics can be found in their track "Ch-Check It Out." They rap, "All you trekkies and TV addicts / Don't mean to diss, don't mean to bring static / All you Klingons in the fuckin' house / Grab your backstreet friend and get loud." Here, the Beastie Boys use street art as a metaphor for embracing subcultures and those who feel excluded or different. By inviting fans and listeners to come together and make some noise, they create a sense of solidarity and unity that mirrors the inclusivity found within street art communities.Furthermore, in the track "Sabotage," the Beastie Boys draw inspiration from the visual aesthetic of street art, embodying the genre's raw energy and rebelliousness. The lyrics, "I can't stand it, I know you planned it / I'ma set it straight, this Watergate / I can't stand rockin' when I'm in this place / Because I feel disgrace because you're all in my face," not only convey a sense of frustration and defiance but also capture the confrontational and in-your-face nature of street art. The music video for this song further reinforces the connection to street art, featuring the band in various disguises and graffiti-filled settings, juxtaposing their energetic performance with the urban landscape.In summary, the Beastie Boys have consistently embraced the theme of street art in their music and lyrics, embodying the rebellious spirit and inclusivity associated with the genre. Through their references to unconventional materials, methods, and experiences, they capture the essence of street art culture. Songs such as "Paul Revere," "Hold It Now, Hit It," "Make Some Noise," "Ch-Check It Out," and "Sabotage" not only showcase the Beastie Boys' musical prowess but also serve as a tribute to the subversive and expressive movement of street art. Their incorporation of street art themes has not only resonated with their fans but has also contributed to the group's enduring legacy as pioneers in hip-hop and popular culture.